He's got the whole story cut into his flesh. C'mon! Past Tennessee, into Arkansas. what do you do with them?". on the East Coast. No one will hurt you. He's vague. ADAMS: Mr. Corry got a broken leg or something? JAMESON: (very slow response) Yes. ORIGINALLY BROADCAST AS EPISODE 027, 8 April 1960 musical score by Jerry Goldsmith in the background. MARTIN: Alright. CASWELL: It's just that I need some sleep and those things runnin' around!! the same; in the original, the main character is Ronald Adams, changed to Nan Adams in the teleplay. It's been raining hard, roads slick, maybe a bridge or two out. BRINKLEY: Feeling better? The Hitch-Hiker 8. Two fine sons. The mysterious Henry J. That's dangerous thinking. WRITER: Rod Serling, based on the short story "Third From the Sun" by Richard Matheson Of course, we are in the Twilight Zone so I guess anything is possible. REVIEW: I. POP MARSHACK: You got such a debt, Andy. Then he gave that scream you heard... Only when I'm drunk. ATTENDANT: Hm? He was a man with an exceptional sense of humour. integrity of the group but ultimately not succeeding. But now ya ain't my son. It's going to sink us! Projections of tomorrow and the next day. Unbelievable, isn't it? What do I have to do to you? PENELL: Virg, Virg, this is the happiest day of my life! A travelling salesman named Henry Fate rides into town and ensures that a special gun falls into Denton’s hands. Everyone, Dad! ORIGINALLY BROADCAST AS EPISODE 011, 11 December 1959 JOEY: Your name! MARSHACK: Please. Is it man and woman, or man and machine? office, which then disappeared … nothing like that had ever been done in TV before. You going to have a long, long, long wait. stuffed squirrels and zither music. Well, I guess there are worse ways to go. JANIE: You know what the trouble with you is, Gart? I'm tired of living. So I went through my Brady pictures, not really expecting to find anything. Despite the convenience of the main character's ability to change his face at the drop of a hat, the episode How dry I am. RENARD: What are they? I remember some of those episodes, though not always what they are named. RIDEN: The way I figure it, Mr. Sturka, you owe Ann and me a little money here. Stop for food and then drive. HARPER: Alexander Mackaye? This! That's an exceptional talent, Joey. Lucille Ball called Keenan Wynn “a massive talent,” and Rod Serling was a great admirer of the younger Wynn's work in TV, film, and theater. identity due to a mental breakdown from the pressures of work and a rotten marriage That something's in the air. GOODMAN: You know, really, this is for laughs. "She was wonderful in it," says Francis. (both revert into their mannequin poses). STURKA: That thought has crossed my mind. BARBARA JEAN: Oh, you know he said I was the most difficult star he'd ever worked with. WEISS: Now, Barbara, honey, this is 1959, 25 years from "A Night in Paris" and 26 years since you made "Farewell Without Tears." I wish I could be up there with you. Nightmare as a Child DAEMON: No, but you will. GRINSTEAD: Millicent, there's another explanation. ETHEL: Now, Walter, don't excite yourself, please! RIDEN: Everything alright? BOOKMAN: Ladies and gentlemen, if you will feast your eyes on probably the most exciting invention since atomic energy, a simulated silk, so fabulously conceived as to mystify even the ancient Chinese silk manufacturers. Here it is. Paul Comi, as fellow astronaut Marcusson who craves to know Down deep inside my gut I get an ache that's just pulling everything out. CADWALLADER: Mr. Bedeker, nothing could please me more. Not robots! that night, and he was arguing with mother downstairs! Unspeakably nightmarishly alone. As a New York Actor's Goodbye. EVE: I have so much fear inside me … I can't give it words. I'd like it to take awhile. People call me MARKIE. identity and share her sorrow over not being able to be part of the rest of the big, beautiful world...and MAN: What kind of devil's work is this? McCarthy's bravura performance, supremely reserved and thoughtful, was MR. DEATH: No, they never do. remains an enjoyable piece. Oh, how I call for alcohol. Now, Steve Cochran's Fred Renard would have, as would have Albert Salmi's Joe Caswell, but Lady, you're on the side of the angels. It's just a hand radio set, that's all. She's closing it. Put the gun down. Eek! They sound good in this nice, warm room and a nice, full stomach, just a few feet away from a soft bed. GABRIEL: There's still time. When he came in I told him to sit down and he did. pull the trigger, but I can't. MRS. WHITNEY: This is Mrs. Adams' residence. One especially nice sequence in the second act comes when Lanser attempts to warn the passengers that they must abandon ship before it gets torpedoed. I just spoke to the studio a few minutes ago. A wooden lady with a painted face who, one month out of the year, takes on the characteristics of someone as normal and as flesh and blood as you and I. SHACKLEFORTH: I could never have gone through with it...I could never have done it. The Twilight Zone featuring change his face. Twilight Zone Lyrics: Somewhere in a lonely hotel room / There's a guy starting to realize / That his eternal fate has turned its back on him / It's two A.M / It's two A.M., the fear has gone / I'm
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